Difference between revisions of "CiM"

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|brown reaction with fine silver - when heavily reduced goes deep terracotta - reacts with ivory
 
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Revision as of 14:26, 5 February 2009

CIM stands for Creation Is Messy. They are suppliers of glass which hs a CoE of 104 and is compatible with Effetre, Vetrofond, Lauscha and the other 104 glasses. The messy colour pallettes are being extended regularly with new shades. They also produce a range of CoE 96 glass called Messy 96. Messy colour 104 and Messy 96 are not compatible.

Occasionally CiM produce a pull of glass that does conform exactly to their colour specifications or one that is created for a test run. These occasional odd lots of glass are labled as "Messy Uniques" and are sold exclusively by Frantz art glass and associated sellers in the U.S.A.

Creation in Messy 104 colours and stock numbers

Information on the working properties of CiM glass is a current research project by members of the Frit-Happens community in the form of a prize competition Frit-Happens CiM Competition Thread The information below has been collated by kitzbitz art glass and is intended as a guide only.

CiM 104

Stock Number Colour Properties Other Info Reactions
C0109 bordello semi translucent deep red
C0128 sangre striking colour opaque red no brown reaction with fine silver
C0149 lipstick opaque red brown
C0223 pumpkin opaque light orange
C0229 clockwork opaque deep orange
C0241 creamsicle not a spreading colour semi opaque orange
C0346 ghee semi opaque light yellow
C0351 stoneground works well in slightly reducing flame of a HH - reduction colour is orangy opaque light brown reacts with fine silver
C0402 celadon not a spreading colour opaque turquoise reacts with ivory
C0413 peacock green shocky - anneal from hot semi translucent light green
C0430 elphaba not a spreading colour opaque light green
C0448 dirty martini perfectly complimented by Reichenbach antique clear opaque pale green lace reaction with nero intenso - fumed easily by by silver glass and SiS and reacts butifully with fine silver leaf
C0449 kryptonite striking - does not work well in slightly reducing flame of a HH semi opaque light blue does not react strongly with silver glass
C0505 french blue opaque bright blue
C0508 leaky pen work high in flame as may pit - works well in slightly reducing flame of a HH - spreading colour semi translucent dark blue looks black over rubiono oro
C0512 halong bay shocky - anneal from hot semi translucent light blue
C0519 glacier opaque light blue
C0531 lapis works well in slightly reducing flame of a HH opaque purple blue
C0543 sapphire transparent medium blue
C0547 electric avenue works well in slightly reducing flame of a HH opaque medium blue brown reaction with fine silver - when heavily reduced goes deep terracotta - reacts with ivory
C0550 chalcedony opaque light blue
C0562 ming opaque deep blue
C0563 pulsar may pit if heated too quickly transparent medium blue reacts with ivory
C0618 simply berry semi opaque light purple superheat with nero intenso stringer for "lace" effect - does not react with silver or palladium
C0632 thai orchid works well in slightly reducing flame of a HH opaque violet does not react with silver glass or SIS - spreads when superheated over a softer opaque base
C0645 heffalump colour appears to "shift" in different lighting conditions - looks lovely coated with 00 lead crystal frit (sugared) opaque pale lilac brown reaction with fine silver
C0652 count von count colour appears to "shift" in different lighting conditions transparent light purple
C0653 larkspur colour appears to "shift" in different lighting conditions transparent pale purple Does not lace with nero intenso
C0654 grape ape works well in slightly reducing flame of a HH opaque medium purple does not react with silver glass - reacts with Kugler 104 green
C0655 eggplant spreading colour - works well in slightly reducing flame of a HH - striking colour opaque dark purple reactive
C0658 plum works well in slightly reducing flame of a HH - Looks beautiful encased in clear - spreading colour - striking colour semi translucent light purple reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape - reacts with copper colours
C0660 crocus Looks beautiful encased in clear semi opaque light purple
C0661 evil queen opaque deep purple
C0667 poi opaque dark lilac
C0701 ginger Shocky opaque light pink
C0703 butter pecan opaque pale pink
C0717 khaki works well in slightly reducing flame of a HH opaque gray green great effect when fumed by fine silver
C0722 canyon de chelly works well in slightly reducing flame of a HH opaque light brown no lacing with nero intenso - looks great with raku
C0742 sepia colour appears to "shift" in different lighting conditions - work cool transparent pale pink - looks good etched Does not lace with nero intenso - no fuming with silver glass - very effective with SiS - look nice etched
C0765 chai opaque pale pink
C0806 cirrus striking colour - shocky - anneal from hot - does not etch semi opaque white reduces to yellow/brown - Dots of leaky Pen and Reichenbach gold violet "pool" when melted in to cirrus - becomes more opaque the longer you work it in the flame - can be fumed by silver
C0820 hades dots crisp melted down over Effetre white - dots bleed into CiM peace - works well in slightly reducing flame of a HH opaque intense black reacts with ivory and opal yellow - laces as stringer over some base glasses including Effetre coral when superheated - fumes to irridescent green/blue by fine silver
C0834 clear transparent clear
C0835 peace shimmering opaque white
C0859 marshmallow Looks beautiful encased in clear semi opaque white
C0904 gelly's sty opaque light pink
C0907 rose quartz look lovely coated with 00 lead crystal frit (sugared) semi opaque light pink brown reaction with fine silver
C0915 pink champagne colour appears to "shift" in different lighting conditions translucent light pink brownish tint when used to encase white
C0921 blush translucent pale pink
C0926 cranberry spreading colour - makes beautiful vivid pink when used as an encasement over white and dark fuchsia colour over ivory semi opaque rich dark pink very reactive (dirty martini, lapis)
C0957 desert pink works well in slightly reducing flame of a HH opaque pale pink Fumed easily by silver glass

CiM Uniques

Stock Number Colour Properties Other Info Reactions
511128-1 sangre darker than regular sangre
511140-1 lipstick lighter thank regular lipstick
511140-3 lipstick lighter than 5111140-1
511223-3 Pumpkin not a spreading colour lighter than regular pumpkin
511223-3 pumpkin translucent burnt orange
511333 sunshine never went in to full production soft buttery yellow
511351-1 stone ground lighter than regular
511413-2 peacock green slightly blueish compared to regular
511413-3 peacock green more saturated than 511413-2
511427 tabby gray never went in to full production - looks great with SiS silver gray
511430-1 elphaba very similar to regular
511430-2 elphaba petroleum green
511430-3 elphaba darker than regular
511449-1 kryptonite turns opaque more quickly than regular
511531-1 lapis more purple than blue
511618-1 simply berry lighter than regular
511618-2 simply berry darker than regular
511644 dusk never went in to full production - colour shifts under different lighting blue gray shade looks a more neutral gray when used to encase white
511656 blackcurrant almost black when used on its own very dark purple
511701-1 ginger lighter than regular
511703-3 butter pecan darker than regular
511703-3 butter pecan more yellow than regular
511742-1 sepia More amber than regular
511806-1 cirrus striking colour strikes to opaque more easily than regular
511806-2 cirrus striking colour slight blue tint
511864 charcoal never went in to full production - looks black when used on its own transparent dark gray
511904-1 gelly's sty less saturated than regular
511938 gelly's sty and peace cored cane, heart shaped peace encased with gelly's sty streaky pink when worked
511938 gelly's sty and cranberry pink cored cane, heart shaped cranberry encased with gelly's sty streaky pink and red when worked


Two batch annealing schedules for CiM

525 (Celsius) annealing schedule for batch annealing

Ramp up         0-150  degrees       1 hour     
                   150-315  degrees    1 hour   
                   315-425  degrees    1 hour   
                   425-525 degrees     1 hour
                   Held at 525 for 30 minutes
Ramp down     525-425 degrees     2 hours
                   425-370  degrees    1 hour 
                   370-315  degrees    1 hour
                   315-205 degrees     1 hour
Turn off kiln and remove beads the next morning.

555 (Celsius) annealing schedule for batch annealing

Ramp up         0-150 degrees         1 hour
                   150-315 degrees      1 hour 
                   315-425 degrees      45 minutes
                   425-510  degrees     45 minutes
                   510-555  degrees     45 minutes
                   Held at 555 for 30 minutes
Ramp down     555-510 degrees       1 hour
                   510-455 degrees       1 hour
                   455-400 degrees       1 hour
                   400-290 degrees       1 hour
                   290-230 degrees       1 hour
Turn off kiln and remove beads in the morning.

Information researched by CiM tester Lorraine Chandler

Further information

Visit their website for more information: http://www.creationismessy.com/